than just one statue again -- at least until May 18th, 2016
An iPhone seller positions his wares and himself
next to one of Antony Gormley's naked man sculptures
For over a month now, Hong Kong has played to host to Antony Gormley's Event Horizon, a public art installion consisting of 31 sculptures of naked, anatomically correct men erected (no pun intended!) on top of buildings and at street level across a one kilometer stretch in the heart of Hong Kong's Central District.
In the first few weeks after the art works were installed in Hong Kong, the police received several phone calls from members of the public who had mistaken the statues they had seen atop buildings as people contemplating suicide by jumping to their deaths. But while there are some who may dismiss these reactions as a sign that Hong Kongers lack cultural sophistication, I actually sympathize with those individuals who mistook the statues for suicidal people -- and, if anything, question the cultural sensitivity of those who went ahead and brought this foreign art installation, probably at great financial expense, over to this part of the world.
In addition, for all of Antony Gormley's lofty views with regards to this particular art installation, I am inclined to think that his representations of naked men have not had the impact here in Hong Kong that he had sought. For one thing, despite it being his stated intention being "to get the sculptures as visible as possible against the sky", I actually don't think that they're all that immediately visible. In fact, despite my knowing of their existence, I still have failed to spot a single one of those statues located on the roofs of buildings!
And while I have noticed those of his statues installed at street level, I also have noticed that many of the people passing by them haven't exactly been moved to "re-assess our own position in the world". Rather, they've become something to merely gawk at or photograph, and provoke discussions like -- and, I swear, I really did hear this earlier today -- "That looks like a circumcised penis to me", "Are you sure?", "Yes, absolutely"!" at best; or end up blending into the landscape and get plain ignored at best.
Even while I appreciate the efforts of those intent on bringing art to Hong Kong, I wonder whether they would do better -- and Hong Kong be better served -- if they were to work to encourage, cultivate and nurture the local artistic talent that does exist. Either that or bring art that connects more and better with Hong Kongers rather than be so foreign that they actually alarm or, maybe worse, are met with apathy.